Battle of Bennington - American Revolution

The Battle of Bennington was fought during the American Revolution (1775-1783).  Part of the Saratoga Campaign, the Battle of Bennington took place on August 16, 1777. Commanders Armies: Americans Brigadier General John StarkColonel Seth Warner2,000 men British Hessian Lieutenant Colonel Friedrich BaumLieutenant Colonel Heinrich von Breymann1,250 men Battle of Bennington - Background During the summer of 1777, British Major General John Burgoyne advanced down the Hudson River valley from Canada with the goal of splitting the rebellious American colonies in two. After winning victories at Fort Ticonderoga, Hubbardton, and Fort Ann, his advance began to slow due to treacherous terrain and harassment from American forces. Running low on supplies, he ordered Lt. Colonel Friedrich Baum to take 800 men to raid the American supply depot at Bennington, VT. Upon leaving Fort Miller, Baum believed there to be only 400 militia guarding Bennington. Battle of Bennington - Scouting the Enemy While en route, he received intelligence that the garrison had been reinforced by 1,500 New Hampshire militiamen under the command of Brigadier General John Stark. Outnumbered, Baum halted his advance at the Walloomsac River and requested additional troops from Fort Miller. In the meantime, his Hessian troops built a small redoubt on the heights overlooking the river. Seeing that he had Baum outnumbered, Stark began to reconnoiter the Hessian position on August 14 and 15. On the afternoon of the 16th, Stark moved his men into position to attack. Battle of Bennington - Stark Strikes Realizing that Baums men were spread thin, Stark ordered his men to envelop the enemys line, while he assaulted the redoubt from the front. Moving to the attack, Starks men were able to quickly rout Baums Loyalist and Native American troops, leaving only the Hessians in the redoubt. Fighting valiantly, the Hessians were able to hold their position until they ran low on powder. Desperate, they launched a saber charge in an attempt to break out. This was defeated with Baum mortally wounded in the process. Trapped by Starks men, the remaining Hessians surrendered. As Starks men were processing their Hessian captives, Baums reinforcements arrived. Seeing that the Americans were vulnerable, Lt. Colonel Heinrich von Breymann and his fresh troops immediately attacked. Stark quickly reformed his lines to meet the new threat. His situation was bolstered by the timely arrival of Colonel Seth Warners Vermont militia, which aided in repulsing von Breymanns assault. Having blunted the Hessian attack, Stark and Warner counterattacked and drove von Breymanns men from the field. Battle of Bennington - Aftermath Impact During the Battle of Bennington, the British Hessians suffered 207 killed and 700 captured to only 40 killed and 30 wounded for the Americans. The victory at Bennington aided in the subsequent American triumph at Saratoga by depriving Burgoynes army of vital supplies and provided a much-needed​ morale boost for the American troops on the northern frontier.

Sexual Sexuality And Sexual Practices - 933 Words

Sexual Normalcy Sexuality and sexual practices play a crucial part in how one defines oneself. The moral struggle between sinful or normal has a dramatic effect on how one views themselves, and one is perceived. When we can gain knowledge of how people process their own attitudes towards sexuality we can learn more about how humans tick. RUBIN’S RESEARCH Rubin’s prior research on the normality of certain sexual practices were the basis of this study. Rubin developed a sexual hierarchy where at the top were â€Å"good/normal† practices emphasizing monogamy and heterosexuality. While at the bottom were the â€Å"bad/abnormal† practices involving homosexuality, fetishism etc. Their research also looked at the heavy social influence on human sexuality. Rubin grouped western nations into 4 separate â€Å"sexual regimes†, the two mentioned in this study are The Sexually Conservative Cluster and the Homosexual Permissiveness cluster. PURPOSE AND HYPOTHESES The purpose of this study was to investigate Rubin s sexual hierarchy using a tailored behavior inventory in which participants indicated their perceptions of normality and abnormality about a wide range of sexual behaviors. There were 5 clearly defined hypotheses in this study. Hypothesis 1: Males participants would be more likely to perceive sexual practices as normal. Hypothesis 2: all participants would perceive a greater number of the sexual practices as normal when performed by a male actor versus a female actor Hypothesis 3:Show MoreRelatedGlobalization And Sexuality1247 Words   |  5 Pagescharacters. Sexuality refers to how people relate to sexual activities or perceive sexual matters. Sexuality may differ from one culture to the other, but the cultures are likely to influence each other’s sexual beliefs and orientation. Globalization has had an extensive influence on the changes witnessed in sexuality across the globe. 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Is The American Society For Deaf Children - 897 Words

The organization I chose to do my research paper on is the American Society for Deaf Children (ASDC). This organization gives information to people who must make decisions about their deaf children. The reason I chose this organization is because they favor the use of sign language with all children, regardless of their hearing status. ASDC was founded in 1967 as a parent-helping-parent organization originally called The International Association of Parents of Deaf Children. In 1985, they changed their name to American Society for Deaf Children. ASDC is a non-profit organization whose purpose is to provide support, encouragement, and information to families raising children who are deaf or hard of hearing (â€Å"American Society for Deaf Children†). Parents of deaf children play a vital role in the success of their children and they are capable of guiding their children’s lives. The organization supplies the information and the support families need to make sure their d ecisions and actions are based on correct knowledge. I think that is very important because some organizations focus on what they think is the correct thing to do for deaf children, but this organization informs you about all the options and up to date information so that you can choose what you think is best for your child. The organization has many values; they believe all children and youth should have the opportunity to succeed in every aspect of their lives through their families and the support of theShow MoreRelatedIs Deafness a Disability or a Way of Living?1593 Words   |  7 PagesTwo centuries ago, the Deaf community arose in American society as a linguistic minority. Members of this community share a particular human condition, hearing impairment. 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One out of thousand infants will be born deaf every year, (Deaf Understanding). Most people dont realize the giant impact of the deaf in our society. Deaf persons can

Classical Hollywood Narrative Do the Right Thing Essay Example For Students

Classical Hollywood Narrative Do the Right Thing Essay Many believe that the classical Hollywood narrative ceased to exist during the 1970s, however a number of films have been made in the same structure since then. The Classical Hollywood Narrative structure usually centers on decisions, choices, and qualities of the main character or characters. It begins with an explanation of the character including their personality and their problem. After that, the problem arises until it climaxes in conflict. During this time, the character may experience a change in their values and/or attitude. The Classical Hollywood Narrative normally ends with the main character’s issue having been resolved. The Classic American film, Spike Lee’s Do The Right Thing is a perfect example of a film which has a debatable narrative structure. Although Do The Right Thing ventures away from the conventional expectations of Classical Hollywood Narrative structure, it still possesses many of the qualities. Do The Right Thing has a Classical Hollywood Narrative structure, it displays this in a different way, however it remains in the category. Like the majority of Classical Hollywood Narratives, Do The Right Thing begins with the introduction of its characters including the Bedford-Stuyvesant neighborhood where it takes place. DJ Mister Senor Love Daddy is used as the common denominator throughout the film between the different characters and their personal issues. His introduction describing the extreme heatwave gives insight to factors that would affect the characters emotions and reactions throughout the film. The second commonality between Classical Hollywood structure and Do The Right Thing is mise-en-scene. The story takes place in a realistic neighborhood that plays as much a part of the movie as the characters do. The designs, from the setting of the neighborhood to the costumes, are true to life which is most common in classical Hollywood movies. Though most movies in this category have appointments or deadlines, the only appointment present in this film is Mookie getting his check after work. This event is reiterated throughout the movie to express the significance of the check to Mookie’s goal. The final parallel between classical films and Do The Right Thing is that it has two related story lines which are common in Hollywood films. Although characters in Classical Hollywood Narratives tend to focus on one problem with one or more people being involved, Do The Right Thing has several characters with different problems that all intertwine at the climax of the story. Mookie and Buggin Out both have goals they pursue throughout the film even though they fade in and out of importance to the storyline. Mookie is just looking to make money and provide for his girlfriend and family while Buggin Out wants Black heroes on the wall of fame in Sal’s Pizzeria. There is a common feeling of strain between Sal’s family and the community that most of the characters in the film relate to. Do The Right Thing has several elements that differentiate it from the Classical Hollywood Narrative. One of the most obvious differences is that there is no specific or precise goal for the characters to achieve. Classical Hollywood Narratives usually have clear, concise objectives that start a conflict that causes a character clash. Instead, the characters’ goals are indefinite and long term. Although several of the characters have minor goals they would like to accomplish, like Da Mayor predicting that Mother Sister will eventually befriend him or Buggin Out’s plan to get Black heroes like Malcolm X and Martin Luther King Jr. on the wall at Sal’s, the goals are not consistent to the plot. Mookie also has a goal of making money by working at Sal’s Pizzeria, but it is never specified what his goal is with the money once he receives it. The audience does not know whether he will use the money to take care of his family or to get a home with his girlfriend and son and to move out of his sister’s apartment. .u002348237c23d16500e8103a5ace074a , .u002348237c23d16500e8103a5ace074a .postImageUrl , .u002348237c23d16500e8103a5ace074a .centered-text-area { min-height: 80px; position: relative; } .u002348237c23d16500e8103a5ace074a , .u002348237c23d16500e8103a5ace074a:hover , .u002348237c23d16500e8103a5ace074a:visited , .u002348237c23d16500e8103a5ace074a:active { border:0!important; } .u002348237c23d16500e8103a5ace074a .clearfix:after { content: ""; display: table; clear: both; } .u002348237c23d16500e8103a5ace074a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u002348237c23d16500e8103a5ace074a:active , .u002348237c23d16500e8103a5ace074a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u002348237c23d16500e8103a5ace074a .centered-text-area { width: 100%; position: relative ; } .u002348237c23d16500e8103a5ace074a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u002348237c23d16500e8103a5ace074a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u002348237c23d16500e8103a5ace074a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u002348237c23d16500e8103a5ace074a:hover .ctaButton { background-color: #34495E!important; } .u002348237c23d16500e8103a5ace074a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u002348237c23d16500e8103a5ace074a .u002348237c23d16500e8103a5ace074a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u002348237c23d16500e8103a5ace074a:after { content: ""; display: block; clear: both; } READ: The Crucible: book / movie - Compare and Contrast EssayThey leave open ended questions and goals that are not clearly accomplished. This is standard for social problem films especially those involving sexual and cultural disagreements; the current conflict has been resolved, however the catalyst of the problem still remains. Two of these characters’ goals dissolve in and out of importance during the course of the film unlike Mookie’s persistent objective. Buggin Out’s goal simmers after several people turned down his offer to boycott Sal’s Pizzeria stating that they ‘grew up on that stuff. ’ Da Mayor has several scenes of bad luck w ith Mother Sister until the burning of Sal’s in the last scene. These goals are not vital to the storyline of a day in a Brooklyn neighborhood. Though several factors could deem Do The Right Thing as anything but a classical American film, it still upholds the structure and meaning of Classical Hollywood Narrative. To begin with, Do The Right Thing has a multi-plot storyline that leads to a causal climax motivated by the previous scenes. Everything that happens at the film’s climax when Radio Raheem is murdered by the police officer and Sal’s Pizzeria is trashed and burned to its foundation is a direct result of events that transpired in the story. The cops kill Radio Raheem because of existing racial tensions in the neighborhood and due to frustrations from being called there earlier when the neighborhood kids soaked a white man’s car with a fire hydrant. For several scenes, Buggin Out urged his neighbors to boycott Sal’s Pizzeria because of their internal racism; however the problem did not come to the surface until after Radio Raheem is killed. Although specifics in the structure of Do The Right Thing differ from the Classical Hollywood Narrative structure, it still follows the most basic guidelines of the genre. The movie begins with the introduction of the neighborhood and main character Mookie like most classical American films. After the initial introduction, several minor conflicts arise that culminate into the climax. After the climax, the problems in the Bedford-Stuyvesant neighborhood are placated for the present time. While it is not clear if the conflict is completely resolved, the neighborhood resumes a sense of calm and normalcy. The fact that Do The Right Thing is a social problem film makes the lack of problem resolution normal. In conclusion, Do The Right Thing is a classical American film that depicts the Classical Hollywood Narrative structure with obvious stylistic differences. This film is an American classic that beckons the audience to discuss problems between races, sexes, and classes and to ask questions about methods to resolve these conflicts. Like the most definitive films with Classical Hollywood Narrative structure, Do The Right Thing presents a character, Mookie and the Bedford-Stuyvesant neighborhood that centers on a specific conflict which is racial tension. Though the conflict is not one that can be easily defined due to its broad nature, it still exists throughout the storyline. Although there are a large number of vital characters for a classical film, they are brought together through the narrator, DJ Mr. Senor Love Daddy who connects separate events because the whole community listens to the same radio show. The DJ also connects the heatwave in the beginning of the film to the events that conspired over the short time span to the end of the film with a dedication to Radio Raheem. He links the characters by being the voice of reason throughout the movie. DJ Mr. Senor Love Daddy’s last line, ‘Are we gonna live together? Together are we gonna live? ’ adds to the common theme and question of the film. Like Classical Hollywood Narrative structure, but distinctive to the social-problem genre of film, Do The Right Thing leaves the conflict resolved although incompletely. The catalyst of the conflict, internal racism, still remains and leaves unanswered questions for the audience, the most prevalent being, ‘what is the right thing? ’